Welcome to PhotoshopCAFE TV.

People have been asking me for a while "Why don't you have a podcast?". The answer has always been time. With traveling to conferences, creating DVDs, writing books and updating the site, I didn't really think I had the time.

No more excuses. Welcome to PhotoshopCAFE TV. The nice folks at Adobe have given us our own channel on Adobe TV. Each week a new episode will be avaliable and I'll post a link right here.

Don't think it's going to stop here. This is just the start! Get ready for the PhotoshopCAFE podcast blitz! I'll keep ypu updated right here as we expand and grow. Our podcasts will be just like the rest of our training, no filler, all content!

HDR Tone Mapping workflow with Photoshop and Photomatix

Once you have merged to HDR only half the work is done. The magic happens with Tone-Mapping. Lern how to use Photomatix Tone Mapping and Photoshop’s tools together for the best results.

Intro to High Dynamic Range (HDR)

What is HDR (High Dynamic Range) Photography? This episode will give you a high level overview of this wildly popular and misunderstood technique. Discover the creative possibilities of a full dynamic range.

Dual Monitors in Lightroom 2 Beta

Lightroom 2 beta has some fantastic multi-monitor support. Find out what you can do with this new power. Colin Smith shows you how to leverage both monitors and find a more efficient way of working.

Gritty Photo effect in PhotoshopCS3

Create the cool gritty effect with regular photographs using Photoshop CS3 and a little know-how. Colin Smith will walk you step by step through creating one of the most popular photo techniques of today.

Easily soften portraits without selections

Create the silky soft look of a dreamy photo in a few seconds. No selections, but a sneaky channel move makes a quick fix. Remove surface blemishes like acne in a few seconds. This is useful in a time jam.

Non-Destructive Dodge, Burn and saturation

Forget the Retouching tools, get the same (and better) results with some blend-mode magic. Find out where these tools come from historically (in the darkroom) and how to control the flow of the viewer’s eye.